Motion Graphics
About
Motion graphics has become an exciting new tool in my creative process. Learning this skill has been both challenging and incredibly rewarding, blending movement, timing, and visual storytelling into one expressive form. It has allowed me to push my design thinking beyond the static, and to explore how typography, color, and rhythm can work together to create emotionally engaging experiences.
All visuals and references used in this motion graphics project were created solely for educational purposes as part of my studies, and are not intended for commercial use. My goal throughout was to learn, test, and apply motion design principles while honoring the original context of the imagery used. These projects reflects my learning journey and exploration as a student, and I remain committed to giving proper credit and maintaining respect for all visual sources.
Architecture, Modernism, and Motion Graphics.
Oscar Niemeyer is one of the most iconic Brazilian architects—if not the most well-known. Growing up in Brazil, I was constantly surrounded by his creations, and they left a lasting impression on me. His bold, curving structures showed me that architecture could be expressive, conceptual, and boundary-pushing, even in something as simple as a chair. That vision sparked a deeper appreciation for design in me and continues to inspire my own creative journey.
For my final motion graphics project at UCLA, I wanted to translate the spirit of architecture into motion. Inspired by Niemeyer’s sculptural forms and design philosophy, I created this piece as a video promo concept for a fictional exhibition. I imagined it being hosted by the Museum of Modern Art (MoMA), a place that has previously celebrated Latin American design with shows like Crafting Modernity: Design in Latin America, 1940–1980. The goal was to bring Niemeyer’s work to life in a contemporary, graphic way through movement, typography, and rhythm. Set to a classic bossa nova track by Tom Jobim, the jazzy pacing complements the flowing architecture, capturing a sense of cultural pride and modernist elegance. This project was both a technical challenge and a joyful homage to Brazilian creativity.
Through the Static: A Motion Graphics Sampler.
As a final assignment for my UCLA motion graphics class, I created a reel to showcase my learning journey throughout the semester. Rather than simply compiling the work, I wanted to add a fun narrative layer to it—something that would reflect both my progress and my creative voice. I built the concept around an old television struggling to capture a signal, paired with the image of someone aimlessly zapping through channels. This visual metaphor allowed me to play with glitches, transitions, static noise, and a bit of humor, while highlighting each project I developed along the way. It was a playful and creative way to bring everything together and close the semester with a piece that feels personal and engaging.
